I was satisfied enough with how things went with the Langton HMS Victory (even though it is not quite finished as I am typing this), and I thought that it was worth trying to make small fleets for Close Action. I decided to walk this road carefuly and my final choice was on a 2 vs 2 scenario for Close Action: French ships Sultane and Etoile engaging British ships HMS Creole and HMS Astraea. All four are 40-gun class ships (ref NF7 and NB49 from Langton), meaning smaller ships than the HMS Victory.
After the mandatory step of getting rid of all the flash around the various moulded parts, the first job is to prepare the base for the ships. The way I do it makes it necessary to have unpainted ships since each base will be made to the "exact" shape of each figurine.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7K0Tb5p6zCBv_I8kCePNaocSjYeIbIt9QuoTTyJ1_6MXI5V1OUw9aCT4Ckkd-ZUwInMaFuDUnCiTTWcr0F6ih3hNFzO6yGulDCZdYWRL-X9UI_URNwHFYrGd1Xb-uAL5VbFa72VFRSJ0D/s400/PDRM1853-2.JPG)
I am using 40x60mm masonite pieces as bases. The length of the bases depends on the size of the ship. Since I cut the pieces with a wood saw, a bit of cleaning is needed at each sharp end, which I chose to chamfer.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnxrJHoF3DrUNyv98jzzP2AsDUPRuRThn4q49vawuLO2YR2YW9BzujKuZWkArsYKzTsNNHjIdqGQ4j2n-ZWc7zTZGHdL3dnxU6oG97UqVv6A_Qt0AaHOqxRCOniLnJoaLeWZtdkBkGwq-K/s320/PDRM1854-2.JPG)
I use the same method as described
here and
there, and the hulls of the figurines become templates for the shape of the waves around the water line. I am convinced that there is no difference between the British and French hull models but then, whatever the figurine, the base is individually tailored.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtx-uKj12_XKP1tQ7E4tN59A2Ymb84Ph2df0_gdfcmqIMpCigapuCpduDv86P0LJ-jESIz1a2AC0shnLbC5RcAmwtjUo_MExCHRTxplSvShBt3A21qfN1RAEyOuNyNUHZ_eS1Xczwz3A2Z/s200/PDRM1889-2.JPG)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZHqR6QqVhw7XyKawXvcqgarg0KlHZG0U28v0CIOy3UzxOAf_yZJMELl5hm9B4_Qf94YEnMJrZCZqJcMIAzuqTVxKlMsgfaNjPgBP1JocaK3jdNREwzcGHHI__oqf9Tu7Nj26q3TZGxN_V/s200/PDRM1890-2.JPG)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia9X077-kO-5ubnTwjyydEbBt02wImktOcmRHRB4oohGV5Qg-6ucBbn-HNUtoAR8qiaccr-ccBC-0UYbzd_6x4Jme1_b3-suJO-CADuA87pFQNXSV_kCAErFaOw5ddOwH9wx2mVKiVuuwm/s200/PDRM1891-2.JPG)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3XNJDQpcUY67cxv4AK34mRGOctuc35EidMERGiqurcDmVfLaUsDqZDMi6ADfwqwxEp67xLZCysfmESsLHx6apFVLepZB64mXl6_MdIuUhGc9Y3F6qJWWIVZ8U73L5955ajdc1_-wcOaWs/s200/PDRM1892-2.JPG)
I paint each base with a base coat of Regal Blue, making sure I do not miss any crevice. Once dry, I dry brush some Shadow Grey, heavy handed as this colour should reflect the colour of a grey sky on the sea. Consequently, only the deepest recesses should keep their dark blue colour afterwards. Finaly I dry brush some Skull White over the tip of the waves to simulate froth. I try to accentuate the visual effect at the back of the hull to simulate the wake of the ship.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP9hM8vK2H794qJApkDurpbSQ11sTdf5hKjtBWlsltvs5DqyextgczDaawTqVdRttfLd1JvU8cO7WyoDH0PotYy_v9yA-XIlDNn-taqu4bJ2a9MqzzLE0nsIV6bjkRz39O-_MyOj3ACdGb/s400/PDRM1893-2.JPG)
This final picture shows the four bases after they underwent the same painting stages.